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Suzanne Vega: Ironbound/Fancy Poultry and other meaty matters

  • 10 hours ago
  • 4 min read

Updated: 11 minutes ago

Ron Counte


Suzanne Vega has been touring the UK and Europe this summer so it’s a perfect time to revisit what for me is her finest album, 1987’s Solitude Standing. The record is probably best known for Tom’s Diner, featured in both full band and a cappella settings, but my favourite track is Ironbound/Fancy Poultry.


The song is about a working-class area in New Jersey where Portuguese immigrants go to buy cheap food to help feed their struggling families.


In the ironbound section near Avenue L


Where the Portuguese women come to see what you sell


The clouds so low the morning so slow


As the wires cut through the sky


The beams and bridges cut the light on the ground


Into little triangles and the rails run round


Through the rust and the heat


The light and sweet coffee colour of her skin


Kids will grow like weeds on a fence


She says they look for the light they try to make sense

They come up through the cracks


Like grass on the tracks


The mood is quite sombre to this point. But the song dramatically changes tone and rhythm and we we hear what sounds almost like an advertising jingle...


‘Fancy poultry parts sold here

Breasts and thighs and hearts

Backs are cheap and wings are nearly free

Nearly free’


The last line is delivered with a beautiful, soaring vocal tinged with sadness. We immediately grasp the double meaning: the low price of the product on sale and the lost freedom of the animals themselves. It’s an evocative combination of lyric and melody which gel perfectly to create a powerful impression of birds being almost free to fly away.


Fancy Poultry is an outstanding example of the many well-known songs that address the issue of meat-eating and animal welfare generally.


John Lennon penned The Continuing Story of Bungalow Bill (1968) in outrage when Richard Cooke III, one of the party on the trip to the Maharishi’s spiritual retreat in Rishikesh, boasted about shooting a tiger. The Beatle later donated proceeds from Across The Universe to the World Wildlife fund.


Paul McCartney’s Wild Life in 1971, the title track of Wings’ studio debut album after the Beatles break-up, urged compassion for zoo animals and in Looking For Changes (1993) he gives it to us straight:


I saw a cat with a machine in his brain


The man who fed him said he didn’t feel any pain


I’d like to see that man take out that machine


And stick it in his own brain


You know what I mean


I saw a monkey that was learning to choke


A guy beside him gave him cigarettes to smoke


And every time that monkey started to cough


The bastard laughed his head off


Do you know what I mean?


On their 1978 album Tormato, Yes for once delivered a lyric we could actually understand when pleading with us Don’t Kill The Whale and donated a portion of their royalties to Greenpeace.


Pink Floyd went as far as to feature a dog on vocals on the playful blues track Seamus on Meddle in 1971. However, despite the title, there is little space given over to animal welfare on their 1977 album Animals where the focus is the evils of capitalism, the mindless masses and Mary Whitehouse.


In Earth Song Michael Jackson asks ‘What about animals?’ Pulp frontman Jarvis Cocker famously demonstrated exactly what he thought of that particular number, infiltrating a crowded stage during the 1996 Brit Awards because he felt Jackson’s messianic act was in poor taste.


Despite being only a consonant away from being called Vegan, it turns out that Vega is not vegetarian or vegan though many, largely due to Fancy Poultry, regard her as such. However, there is a lengthy list of rock vegetarians including McCartney, Jackson, Morrissey, Thom Yorke, Johnny Marr, Ariana Grande, and even Geezer Butler of Black Sabbath. Perhaps he was inspired by viewing Ozzy Osbourne’s on-stage eating habits at close quarters. Others, such as Harry Styles, Billie Eilish and Moby have moved on to full veganism.


Morrissey doesn’t pull any punches in his 1985 song for The Smiths Meat Is Murder:


And the flesh you so fancifully fry


Is not succulent, tasty or kind


It’s death for no reason


And death for no reason is murder


And the calf that you carve with a smile


It is murder


And the turkey you festively slice


It is murder


Do you know how animals die?


While we are on the subject of eating meat we must take a moment to consider the song that advocates the joys of cannibalism. Not a sentence one comes across often. Silver Spoon was served up in 1971 by Grace Slick and Paul Kantner of Jefferson Airplane fame. Slick, who became a vegan, was apparently miffed at the hypocrisy of their Californian veggie neighbours. Here’s a taste of the tongue-in-cheek lyric…


Where are the bodies for dinner?
 I want my food

What if you were starving to death
 And the only food you had was me
 What would you say to the cannibal question
 Would your answer be perfectly free?


My old mama told you never to eat your friends
 With your fingers and hands
 But I say you ought to eat what you will
 Shove it in your mouth any way that you can

You think that I will come to your mouth 
Looking for a home
 But I get stuck sideways in your throat
 Like a good old chicken bone


You could learn to dine on your friends
 Pour their bones into a cannibal soup
 Muscles like steak and blood like wine
 Save the brains to feed to troops


Just humming 
Cannibal songs 
Cannibal songs


As Suzanne Vega might agree, it seems there is a song for every occasion.


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